The Politics of Art
The emperor personally oversaw every inch of design and creation and issued an edict that nothing could be altered by future generations. Few had set foot in the studio since 1924, when Puyi, China’s last emperor, vacated the palace and locked the door behind him. The studio was used as a warehouse.
The $3-million restoration, which took nearly a decade to complete, marks an extraordinary partnership of Chinese artisans and American expertise to refurbish one of the historically important interiors to survive from China’s imperial period. It was the first time the Palace Museum cooperated with a foreign organization. Palace officials visited the Peabody Museum in Washington D.C. to view firsthand U.S. techniques of restoration. Both sides are satisfied with the results and looking forward to more collaborative restorations.
The refurbishing partnership can and should be emulated on the economic and political front in the 21st-century. Just as China’s outreached hand in the arts has been clutched by America, China’s repeatedly outreached political hand to the U.S. must also be grasped. Global economic and political leadership by America and China can bring about global peace and harmony and an end to global conflicts sparked by religion, ideology, ethnic conflict and nationalism which are taking the world to the precipice of Armageddon.
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